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Revenge, arguments and silliness, Bernard Carpinter

Marlborough Man
Alan Carter
Fremantle Press, $38.00,
ISBN 978125164534

Presumed Guilty
Mark McGinn
Merlot Publishing, $33.00,
ISBN 9781513618609

The Empty Coffin
Gary Moore
Mary Egan Publishing, $30.00,
ISBN 9780473388959

Fans of New Zealand crime fiction can add one more name to the rather compact list of excellent local writers. The name is Alan Carter, and he’s actually an import, but his Marlborough Man is authentic Kiwi through and through. Originally from Sunderland in northeast England, Carter, emigrated to Perth in 1991, later began splitting his time between Perth and the Marlborough Sounds, and now lives in Havelock at the base of the Sounds.

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Posted in Fiction, Literature, Review

Issue 120 | Summer 2017

Volume 27 | Number 4 | Issue 120 |  Summer 2017   Flora Fan: Eileen Merriman, Pieces of You David Eggleton: Witi Ihimaera and Tina Makereti (eds), Black Marks on the White Page Hugh Roberts: Noel Shepherd, Mulgan Lawrence Patchett:

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A swarm of poets, Airini Beautrais 

Manifesto Aotearoa: 101 Political Poems
Philip Temple and Emma Neale (eds)
Otago University Press, $35.00,
ISBN 9780947522469

 

New Zealand poetry in English has a long and complex tradition of politically-charged work: from colonial balladeers, through 20th-century heavyweights like Allen Curnow (as himself and as Whim Wham) and James K Baxter, to more recent poets including Bill Sewell, Robert Sullivan, Dinah Hawken and Hinemoana Baker. Despite this tradition, and perhaps in line with a neo-liberal mood-shift towards individualism and consumerism, an attitude has existed in recent years that there isn’t much political content in our poetry, or that it doesn’t belong there. Sullivan, in his 2010 sequence Cassino: City of Martyrs, bluntly calls such an attitude out in the lines “New Zealand / and its official status quo disdain / for political verse as if it was anything but.” Appearing against this historical and contemporary backdrop, Philip Temple’s and Emma Neale’s Manifesto anthology is a timely and welcome project.

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Posted in Literature, Poetry, Review

Poem – Harold Jones

In Autumn or in Spring Nothing remains, and yet everything Does – and this is the truth Of all the constant vanishing And continuance. Both are And are not. The finished leaves That moulder under the rain Are fresh on

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Posted in Poem

The wisdom of things, Anna Smaill

The Yield
Sue Wootton
Otago University Press, $25.00,
ISBN 9780947522483

The Internet of Things
Kate Camp
Victoria University Press, $25.00,
ISBN 9781776561063

There is beauty to be had in yielding, Sue Wootton’s collection suggests, both to the natural world and to language. The collection’s title comes from its final poem, a quiet ode to an apple tree. Resurrected from its first life as a “dehydrated sapling”, the tree has thrived against the odds. Evidence of its battle remains in its posture; the sapling has developed

a lean, the whole tree on an angle,
as if surrendering in deference
to persistent pressure, as if leaned
upon,
giving in or giving up to what
prevails

 

The poem ultimately suggests that, rather than resignation, the tree’s lean is a mode of enabling sacrifice: it “let[s] go” in order to “put out arms, become a fruitful crux”. In conserving its energy the tree enables a different kind of yield – the crop of “yellow apples, blushed, /…Tart and crisp, delicious.”

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Posted in Literature, Poetry, Review

Beyond the pale, Kathryn Walls

Heloise
Mandy Hager
Penguin Random House, $38.00,
ISBN 9780143770992

Heloise is Mandy Hager’s reconstruction in novelistic terms of the lives of the 12th-century lovers Heloise and Abelard, told from Heloise’s point of view. While both Abelard and Heloise read a great deal, neither of them had ever read a novel. They had, no doubt, read Augustine’s Confessions, an autobiography as distant in time from the 12th century as the 12th century is from our own. But Augustine saw no point in the concrete realisation of experience that characterises most novels. Unlike Hager, he does not mention things like the off-putting “flatulence, coughs and wheezing snores” of the convent dormitory, or the impression made on him by “streams of fish gut and animal entrails that [ran] down to meet the river”, or where the privy was. His subject was his psyche as a model for the reader’s. Being an African, he might have been black, but his skin colour remains a mystery. And yet, Hager, whose novel is rich in evocations of earthy reality, is not genuinely concerned with “the medieval body” (although the subject is currently being done to death by academics). Indeed, she has followed in the steps of Augustine (in this respect, at least, as so many great novelists have done) by focusing on the trajectory of her subject’s inner life. Paradoxically, while she has sought to establish authenticity by appealing to our senses, the effect here is decorative. What is truly authentic about her novel is quite different. Hager has, impressively, studied a wealth of primary and secondary texts in order to reconstruct Heloise’s mental and emotional development.

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Posted in Fiction, Literature, Review

Jewels and binoculars, Murray Bramwell

Blood Ties: New and Selected Poems 1963–2016
Jeffrey Paparoa Holman
Canterbury University Press, $25.00,
ISBN 9781927145883

Dylan Junkie
Jeffrey Paparoa Holman
Mākaro Press, $25.00,
ISBN 9780994137807

It is a harsh fact that we live in a world where there is far more published poetry than people willing or able to read it. Over the past 50 years, poetry has ceased to be a common currency. It is less often a core component of literary studies in either high-school or university curricula. For most people, poetry has become esoteric and increasingly formidable. Few nowadays have ever read more than a handful of poems, let alone committed lines to memory. There are many reasons for this. A significant one is that since the 1960s some of the best poetry has gone to live in Leonard Cohen’s “Tower of Song”; the canon is now plugged into the body electric. Of course, lyrics still matter for people, but only when encased in melody and beats.

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Posted in Literature, Poetry, Review

Getting the news out, James Norcliffe

Surviving 7.8: New Zealanders Respond to the Earthquakes of November 2016
Phil Pennington and Radio New Zealand
HarperCollins, $35.00,
ISBN 9781775541103

 

New Zealanders, Cantabrians in particular, have, over the last half-dozen years, become reluctant experts in earthquakes. We have experienced the wobbly ones, the shuddery ones, the bumpy ones, the noisy ones that just go whack – a whole hitherto unknown taxonomy of geomorphological effects. The Richter scale has become as familiar as the bathroom scales and referred to as often. One of our favourite websites is Geonet, and glib, hackneyed epithets like earth-shattering and world-shaking have taken on a whole new oh-so literal meaning.

Thus, when, just after midnight on November 14, 2016, we were woken by a long rolling shake that seemed to go on and on forever, my wife and I knew at once that we were experiencing another Big One, but we knew, too, that it wasn’t Christchurch this time; it was farther away. Our first thought was the Main Divide, our second thought was Wellington, and we were immediately concerned for friends and family in the capital.

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Posted in History, Media, Non-fiction, Review, Sociology

Loosening stiff upper lips, Charlotte Graham

Leap of Faith 
Jenny Pattrick
Black Swan, $38.00,
ISBN 9780143770916

Good Sons
Greg Hall
Mary Egan Publishing, $32.00,
ISBN 9780473383787

It seems there are two major challenges for any author wanting to write about New Zealand in some of its formative historical periods. One is the research. The other is conveying the spirit of tough people who lived tough lives, when often these were men and women of few words. The tendency of our forebears not to respond to even the most brutal of conditions, or to utterly cavernous moments of grief and loss, with anything other than stoicism, has bred an odd national reluctance to talk about our problems that persists, in some forms, to the present day. It presents an even bigger challenge to writers of historical fiction, who need to convey moments of hope and anguish among the austere, taciturn Pākehā of 1907 or 1917 without breaking character or boring us to tears. On screen, it can be done with sideways looks: the raise of an eyebrow, or a mumbled syllable. But Jenny Pattrick, author of Leap of Faith, and Greg Hall, in his book Good Sons, have set themselves a difficult task to convey it through text.

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Posted in Fiction, Literature, Review

Streets, waters, winds, Kirsty Gunn

A Strange Beautiful Excitement: Katherine Mansfield’s Wellington 1888 – 1903
Redmer Yska
Otago University Press, $40.00,
ISBN 9780947522544

“There is a handful of writers” begins Vincent O’Sullivan’s introduction to a rare and illuminating account of the city in which Katherine Mansfield was born and grew up,

who at times seem to hold their admirers almost as much by the enigma of personality, or the curious weave of their lives, as they do by their first and sustained impact as writers … Each time we go back to a favourite story … there is that teasing urge to know what came before

In a few elegant sentences we have outlined for us a literary study of riveting depth and focus that, in drawing together history, biography, lyrical essay and reportage gives us back, in deeper colours, the life and work of one of those whose story we continue to be drawn towards, who takes her place amongst the world’s key modernists, a leading practitioner of the short story form, and here, too, a young New Zealand girl.

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Posted in Biography, Non-fiction, Review
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