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Fiasco, Jon Johansson

Hit and Run: The New Zealand SAS in Afghanistan and the Meaning of Honour
Nicky Hager and Jon Stephenson
Potton & Burton, $35.00,
ISBN 9780947503390

As someone who has been around the political traps a fair while, my heuristic for judging political actors in and outside party politics is not the colour of their political stripe. Rather, there are people one would want to share a trench with; others, one would not – and, although rare, the odd person best sent to the enemy trench for the chaos they would cause. My trench is very multi-partisan as a result, and Nicky Hager, a friend, is emphatically in it. He’s exhibited, over a long time, courage and commitment when challenging the unequal power of the state over matters mostly concerning their coercive powers, as well as showing strength of character to withstand the blowback for doing so.

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Posted in Media, Non-fiction, Review and Sociology

Dazzling, dizzying cornucopias Stella Ramage

Marcus King: Painting New Zealand for the World
Peter Alsop and Warren Feeney
Potton & Burton, $80.00,
ISBN 9781927213704

Vivid: The Paul Hartigan Story
Don Abbott
RF Books, $65.00,
ISBN 9780473337117

Marcus King and Paul Hartigan belong to that interesting group of New Zealand artists who have successfully combined personal fine art careers with employment as commercial graphic designers and advertising illustrators. At various points in their careers, Russell Clark, Ralph Miller, Graham Percy, Milan Mrkusich, Dick Frizzell and doubtless many others have also juggled day jobs and private artistic practice. With the exception of Mrkusich and Frizzell, these artists have often been relegated to the margins of our national canon (hence the flurry of monographs in recent years intent on reclaiming their artistic legacy from oblivion). Are they suspected of lacking the passionate commitment of the “true” modernist artist: the torment of McCahon, the dedication of Angus, the activism of Hotere or the self-destructiveness of Fomison? The authors of these monographs firmly reject such Byronic assumptions, arguing effectively for a broader, more inclusive version of our national art history that acknowledges commercial art as a valid contribution to our visual culture.

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Posted in Art, Biography, Non-fiction and Review
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