Truthteller
Stephen Davis
Exisle Publishing, $30.00,
ISBN 9781925335897
“Aren’t we all investigative journalists?” my colleague asked, as we lamented the quality of the coffee at an early hour in the newsroom kitchen.
“We’d all like to think so,” I replied. “But some of us are more investigative than others, perhaps.”
It was one of those innocent, non-committal exchanges prompted by the question, “What are you up to?”
At the base of my colleague’s question, of course, was the presumption that all journalists ask questions, investigate, probe, take nothing for granted, look for the spin, the obfuscation, the smokescreens … the bullshit.
Dead Letters: Censorship And Subversion In New Zealand 1914–1920
Jared Davidson
Otago University Press, $35.00,
ISBN 9781988531526
Dead Letters contains intriguing detail about a random cast of now-forgotten people who were considered likely subversives in New Zealand during WWI. For their stories to be told at all, we have to thank both the pedantically plodding public-servant compilers of long-buried files and author Jared Davidson, an archivist by trade, for his skill in researching and giving human faces to the consequences of a government obsessively prying into private lives at times of perceived national crisis.
Shirley Smith: An Examined Life
Sarah Gaitanos
Victoria University Press, $40.00,
ISBN 9781776562176
In Wellington, it is difficult to find a lawyer, judge, or even a member of the Mongrel Mob of a certain age, who does not have a Shirley Smith story. The stories are good and bad. Many are insignificant, but they offer insight into her character. I was told about her understandable hostility to a junior lawyer, who was sent to the Smith house in Brooklyn to retrieve and organise some of her husband Bill Sutch’s papers. Smith stuck to her like lichen each day for a fortnight while she did her job and never offered her a cup of tea. I was told that Smith struck up conversations with people she did not know, who had come to visit their own relatives at the rest home in which she lived at the end of her life. One of these people told me about her delight at meeting a friendly, highly intelligent old lady, who said she studied the classics at Oxford University. Those who attended her funeral at St Andrew’s still talk about the powerful haka that echoed up and down the Terrace.
When It All Went To Custard
Danielle Hawkins
HarperCollins, $35.00,
ISBN 9781775541417
The Julian Calendar
William Henry
Marsilio Press, $35.00,
ISBN 9780958235556
What a difference a year can make. The plots of Danielle Hawkins’s When It All Went To Custard and William Henry’s The Julian Calendar both take place over exactly one year – just enough time to immerse readers in a rich story and see them through to the other side. While not the 24 hours Aristotle prescribed, these novels remind us that a year as a unity of time can still prove a useful device for portraying a full narrative arc.
How I Get Ready
Ashleigh Young
Victoria University Press, $25.00,
ISBN 978176562367
The Dangerous Country Of Love And Marriage
Amy Leigh Wicks
Auckland University Press, $25.00,
ISBN 9781869408978
To The Occupant
Emma Neale
Otago University Press, $28.00,
ISBN 9781988531687
Judging a book by its cover would not be a cliché or a hazard, if so much design talent did not go into trying to make us do exactly that. Who, faced with a display of new books, has not followed the urging of the eye, probably at the expense of worthy competitors?
From Cairo To Cassino: A Memoir Of Paddy Costello
Dan Davin
Cold Hub Press, $25.00,
ISBN 9780473474485
Paddy Costello’s forte was Russian scholarship. Dan Davin’s was academic publishing. Each acquired other formidable reputations by which they are better known to New Zealanders: Davin as a fiction writer, though his masterly tome Crete (1953) is a war history, and Costello as a Soviet spy, which he was not.
Pūrākau: Māori Myths Retold By Māori Writers
Witi Ihimaera and Whiti Hereaka (eds)
Penguin Random House, $38.00,
ISBN 9780143772965
In Pūrākau: Māori Myths Retold By Māori Writers, the retelling of mythic stories is a communal activity, with one storyteller picking up where another leaves off, but then transmogrifying the story and often taking it in a completely new direction. Pū rākau means “tree roots”, and so these stories are an affirmation of the polytheistic animism running through the cosmology of the Māori world – Te Ao Māori – with story branching from story, and all interconnected to the main trunk of the mythology as part of a holistic continuum. Here be gods, monsters and mortals in tales of star-crossed lovers, of defiance and derring-do, of transgressive behaviour and comeuppance. These myths retold bend and blend genres, from the supernatural and fantasy to science fiction, ghost stories and magical realism – all this, the reclaiming and the repurposing, a far cry from the bowdlerised, even infantalised, interpretations found in the versions of A W Reed, Antony Alpers and other 20th-century Pākehā anthologists.