Victoria University Press, $30.00,
In the opening scene of Lifting, Amy, a department store detective, is pursuing a “Person of Interest” (POI) – a ubi-quitous, parka-wearing woman who is probably about to nick the wallets she has in her hand – when the POI stops to gaze at the indoor fountain, and the cat-and-mouse game pauses. Amy has noticed that lots of people hover at the fountain in Cutty’s store, not just because indoor water has “a terrible magic … might flow out and wreck things”, but for the opulent statue at its centre, a bronze Mercury, the Roman god (we are reminded) of “commerce, poetry and theft”. Despite the poor guy having been puritanically castrated years before, he remains focal in the store, with his winged feet and helmet, his attendant serpents.
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