The Grass Catcher: A Digression About Home
Ian Wedde
Victoria University Press, $40.00,
ISBN 9780864739384

The protagonist of the present-day portion of Symmes Hole (1986), Ian Wedde’s canonical and underread novel about settler colonialism, is obsessed with history. He digs and delves in it, but his tools are not always archival in nature. Early in the novel he gulps down an unnamed psychoactive agent that fuels a long hallucinatory reverie of Pacific history. Why the drug? It has its comic uses, of course, but its chief interest is to give history a paradoxical sense of reality, as if the events of the past could be brought right up close and visible by chemical means. The drug does not give its taker any certain, magical knowledge of history. In fact, quite the reverse: it allows rumours and legends into the story as well, and troubles the veracity of the whole picture. But it imbues the past with the glow of urgency. As such, it is one solution to a literary problem that is common, but not limited, to historical fiction: how to make done deeds, matters of dry historical record, leap across the gap that separates them from the pressing concerns of our lives now. In his altered state, Wedde’s researcher need not go looking for the past ‒ the past comes to him. The danger (and the source of much humour) is that it makes history meaningful at the expense of making the historian a dissociative, drug-addled lunatic whom no-one else would go near.