Roger Robinson, writer for the Runner’s World/Running Times website, puts the work of Norman Harris (1940-2015) into proper context.
We all know, and most of us enjoy, the drama of sport, the physical one that we watch on the field or track or pool, a narrative of high-pressure external action with an uncertain outcome. There’s another simultaneous drama that we can’t watch, but is equally compelling, the psychological one inside the mind of every competitor, a narrative of high-pressure internal action, also with an uncertain outcome. Only the very best sports writers are able to show both.
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