Volume 13 | Number 1 | Issue 57 | March 2003
Joan de Hamel: Sandy McKay, Recycled and My Dad the All Black; Vince Ford, The Dare Club; Jan Thorburn, Stranded; Jack Lasenby, Aunt Effie
Editorial A farewell
Brian Turner: Far and near: some thoughts on the poetry of Bill Sewell
Raymond Huber: Bernard Beckett, No Alarms; William Taylor, Spider
John Dickson: Bob Orr, Valparaiso; Tony Beyer, Human Scale
Ian Wedde: Alan Brunton, Fq
Cilla McQueen: Emma Neale, How To Make A Million; Rachel Bush, The Unfortunate Singer
Edmund Bohan: Graham Billing, The Blue Lion: An historical love story
Bernard Carpinter: Paul Thomas, The Empty Bed; Tom Lewis, Eye of the Kea; Edmund Bohan, The Irish Yankee
Stevan Eldred-Grigg: Jim McAloon, No Idle Rich: The Wealthy in Canterbury & Otago 1840-1918
Tom Brooking: Lydia Wevers, Country of Writing: Travel Writing and New Zealand, 1809-1900
Lynley Hood: Charles Ferrall & Rebecca Ellis, The Trials of Eric Mareo
Sally Sutton: Stephanie Johnson, The Shag Incident
Catharina van Bohemen: Christine Johnston, the shark bell; Bronwyn Tate, Halfway to Africa
Paula Boock: Renée, The Skeleton Woman: A Romance
Jessica Le Bas: “driving back from Takaka” (poem)
Ian Johnstone: Derek J Wilson, Five Holocausts
Nicholas Reid: Philip Temple, A Sort of Conscience – The Wakefields
Jack Lasenby: Brian Turner, Somebodies and Nobodies
David Eggleton: Sean Mallon and Pandora Fulimalo Pereira (eds), Pacific Art Niu Sila: the Pacific Dimension of Contemporary New Zealand Arts
Elizabeth Alley: Michael King, An Inward Sun: The World of Janet Frame
Neville Emslie: “Wicketkeeping religion” (comment)