Victor Rodger: Black Faggot and Other Plays
Victoria University Press, $35.00
“Life will always leave fiction for dead”: Victor Rodger, in the New Zealand Herald, summing up his life experience, thus far. Rodger’s upbringing is certainly uncommon – the stuff of fiction perhaps. The illegitimate son of a palagi teenage mother and an absent Samoan father, he grew up in “white” Christchurch in a Scottish born-again Christian family. His background is relevant in that he draws on it in many of his plays. His first, Sons, is a semi-autobiographical story of a young afakasi (half-caste) man in search of his origins and identity. In the same interview in the New Zealand Herald, Rodger says: “I can’t remember if I thanked him [his father] for my career because I’ve turned our fucked up relationship into an industry.” In contrast, Rodgers describes his mother as “all about love” and, indeed, in these plays the mother figures – Mama Letti in Black Faggot, Tahlz in Club Paradiso – are nurturing and forgiving, while the descriptions of dead Olivia in At the Wake are in similar vein.