Blog Archives

Mingling the sacred and the profane, Martin Edmond

The Penguin Book of New Zealand War Writing
Harry Ricketts and Gavin McLean (eds)
Penguin Books, $65.00, ISBN 9780143573098

Oddly enough – or perhaps not – when this book arrived at my door I remembered one of the more arcane customs recorded in Te Rangi Hiroa’s The Coming of the Māori: “Warriors before setting out on a military campaign,” he writes, “each in turn bit (ngau) the cross beam (paepae) of the latrine.” These were cliff-side toilets in hill forts and the cross beam was what you held onto while you shat into the void below. There was a strong tapu upon it, to prevent the theft of faecal matter for the purposes of sorcery; and the ceremony of the biting of the bar was attended by a tohunga chanting karakia considered protective of Te Hokowhitu a Tu as they went off to make war.

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Posted in Non-fiction, Review and War

Obituary — Jack Body

Harmonious sensuality Ross Harris recalls the life and work of fellow-composer Jack Body (1944-2015) Jack Body was born in the small North Island farming town of Te Aroha to parents with little interest in music. Even so, he was playing

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Posted in Obituaries

Voices from the past, Jock Phillips

Remembering Gallipoli: Interviews with New Zealand Gallipoli Veterans
Christopher Pugsley and Charles Ferrall (eds)
Victoria University Press, $40.00
ISBN 9780864739919

Amid the flood of printed words that have marked the centenary of New Zealand’s Gallipoli experience, Remembering Gallipoli comes with, in every sense, the most history. The interviews on which the book is based were initially conducted in 1982 by four women, members of a media company, Bluestockings, as background research for Television New Zealand. There were 130 soldiers and one nurse interviewed, all in their late 80s or 90s. Chris Pugsley and Maurice Shadbolt then re-interviewed 21 (or 26 as Pugsley writes elsewhere) on camera. Extracts were used in the powerful 1984 documentary Gallipoli: The New Zealand Story and drawn on for Pugsley’s magnificent book in the same year with the same name. Shadbolt chose 12 of the subjects to tell their stories in his stirring Voices of Gallipoli (1988), a book which was a revelation to many, including Helen Clark, who read it on the plane flying to Gallipoli in 2000 when she conceived of a project to record the memories of WWII veterans.

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Posted in Non-fiction, Review and War

Poem — Leonard Lambert

The Enamelled Box   When they unearth the mass graves and discover the rivers of blood, or even stop to puzzle over a million lost golf-balls, may they also find medical instruments of ingenious design and exquisite precision; Let them

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Posted in Poetry

On a human scale, Felicity Barnes

Holding on to Home: New Zealand Stories and Objects of the First World War
Kate Hunter and Kirstie Ross
Te Papa Press, $50.00,
ISBN 9780987668851

One hundred years on, WWI continues to loom large in New Zealand life. With the advent of the centenary, New Zealand’s “Great War” has taken on a literally monumental scale, with new and revitalised memorial structures, including the dedication of a national public war memorial space. Anzac Day saw record attendances across the country: 10,000 turned out in Whangarei, whilst Rotorua’s crowds prompted the mayor to consider holding two services in future years. In Wellington, Te Papa’s exhibition [in conjunction with Weta Workshop and Richard Taylor], “Gallipoli: The Scale of Our War”, is actually larger than life, using oversized models of service people in an attempt to represent the magnitude of New Zealand’s commitment.

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Posted in Non-fiction, Review and War

Poem — Leonard Lambert

Hinterland   What lands lie east of here? North and south are known, and west, but to the east, to my left, the country folds in upon itself and falls away, rising in the near distance to a long tableland.

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Posted in Poem

Reviewing the reviewers

Matthew Wright reflects on the ethics of book reviewing

It’s some years since New Zealand Books published a wonderfully nasty litany of my supposed failures in a book I’d written on South Island settler society where, the reviewer insisted as an opening declaration, his own work had never been challenged in 30 years.

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Posted in Comment

Not just bits of cloth, Jennifer Shennan

New Zealand’s Historic Samplers – Our Stitched Stories
Vivien Caughley
David Bateman, $50.00
ISBN 9781869538668

Vivien Caughley’s opening definition of a sampler is “an embroidered cloth which records a stitched pattern, often the alphabet and numerals, sometimes pictures, and stitch techniques … They often commemorate events personal and national.” Through the 160 following pages, we learn much from the intriguing strands of story that Caughley draws from her selection of “self-expression with needle and thread” found in national, regional and private collections throughout the country. We readily concur with her closing ascription of samplers, not as “just bits of cloth” but as “another way history can be studied and illustrated”.

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Posted in Art, Non-fiction and Review

Poem — C K Stead

A matter of time When I was young it was C.P. Snow averred anyone who did not know the Second Law of Thermodynamics was uneducated. ‘Two Cultures’ was his bag and what he wanted was scientists reading poems, Arts chaps

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Posted in Poem

Crime wave, Bernard Carpinter

Running Towards Danger
Tina Clough
Vanguard Press, $30.00,
ISBN 97811784650100

Blood, Wine and Chocolate
Julie Thomas
HarperCollins, $35.00
ISBN 9781775540533

Something Is Rotten
Adam Sarafis
Echo, $35.00
ISBN 9781760067762

New Zealand crime fiction is booming. The long list for the Ngaio Marsh Award this year comprised nine books and the five on the short list are all very good. Those books are, in no particular order, Five Minutes Alone by Paul Cleave, The Petticoat Men by Barbara Ewing, Swimming in the Dark by Paddy Richardson, The Children’s Pond by Tina Shaw and Fallout by Paul Thomas.

Thomas and Cleave, in particular, have given New Zealand crime fiction credibility, their lively prose delivering crackling plots, larger-than-life characters and even humour. And they are distinctively Kiwi books; Thomas’s protagonist of five novels, Tito Ihaka, is Māori and well versed in the blunter forms of the Kiwi vernacular.

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Posted in Fiction, Literature and Review
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