Soup and Bread
Nōnen Títi, $25.00,
The Pirates and the Nightmaker
The Volume of Possible Endings: A Tale of Fontania
Gecko Press, $25.00,
Two of these titles are fantasies with large dollops of magic, yet I happily suspended disbelief and became immersed in their worlds. The third is supposedly set in the here and now, but instead of getting lost in it I kept noticing inconsistencies – it just wasn’t credible. Believability is crucial to fiction, and it can’t be achieved unless a novel’s characters are operating in a particular and sustained world. It doesn’t matter how unfamiliar the setting is – 12th-century Laotian temple, Antarctic scientist’s lab, a dragon’s lair – there has to be enough plausible detail to allow the reader to feel secure that the writer knows what they’re talking about. The writer may well have only visited the location in their imagination, but that’s all that should be necessary to bring the place to life. The wardrobe, those furs, that lamppost – of course we’ll believe in Narnia. The more specific a place, the more real it will seem, and the more believable the story.