Victoria University Press, $30.00,
Acoustic engineer Michael Stirling is divorced, in contact through a dating site with apparently grieving Chrissie, tending a father in a dementia unit, living in Wellington’s Sanctum Apartments having lost his house, coping with a minor surgical procedure, learning te reo Māori and providing temporary accommodation for his daughter Samantha who has arrived from Auckland roped to a young Māori man as an artistic experiment. Enough to be going on with. The mid-life crisis is a well-worn theme in modern fiction, but Damien Wilkins gives it a welcome and spirited outing.
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